attention all kickstarter funders: all prizes will be issued end of december, due to set backs with music clearance and addition editing on the short film. we also did not budget correctly for the cost of creating the art of book in print form, so instead everyone will be receiving digital ibook copies of the book with "the making of" film. we thank you for your support of this student film, understanding and patience as we are working to give you the best product. in the meantime please enjoy our archives of the project.
JUNIOR and senior PROJECT DEVELOPMENT FILES: SP16-SP17
junior review pitch
summer 16 research and development to build the class syllabus
film analysis for inspiration
McManigal, J. W., and Grant Heilman. Farm town: a memoir of the 1930s. Stephen Greene Press, 1974.
story reel boardS: THE SUNKEN FOREST
summer 16 inaugural pixar@cca story intensive
The Pixar lecture of clarity: when everything clicked
I've been meaning to post this since the lecture in November, but decided to wait till now with Oscar talk buzzing around the animation department here at CCA. Last summer I was fortunate enough to meet many talented artists from Pixar during the summer months, that have helped focus my approach and knowledge on the ways or organizing and staging the pipeline for my senior thesis film The Sunken Forest.
The highlight in terms of putting it all together into a short film was when Andrew and Lou paid a visit to the campus. The filmmakers discussed how their relationship grew, their workflow strategies, the creative process, and the benefits of being able to make a film with co-worker and use of the facilities Pixar Animation Studios. Hopefully my request that they should consider teaching at the college won't fall on deaf ears.
cca nahl hall fa16©
research field trip: angel island san francisco bay fa16
fa16 crew members
live action reference for storyboarding
This was just a video workbook of sorts that I compiled during last semester to help the crew with the cinematic approach of the film. I also have begun to write the ending/introduction to the pitch version for the series, for Adult Swim called Nicodemus. Hopefully I can at least get the storyboarding done for this, even if it doesn't make the film.
visual development: the land trust
The creation of the Land Trust came about from observing my peers in classes during my first year at cca. seeing in them traits that went above and beyond the limitations of what was being assigned.
it reminded me of this interview that Steve Jobs gave to the BBC in 1995. it describes an approach that I strive to have in my life at all times.
I gave Cruz this set of images and expressed that I liked the feel and tone of the art direction; she gave me an array of palettes to select from that following week. Studying and working along side of Cruz has been a privilege in plusing my own sensibilities in design and color theory.
Images taken from Kanye West's Runaway.© 2015 Art Direction by Vanessa Beecroft. Production Design by Martin Krejzlik
Images taken from Solange's Cranes In the Sky and Don'y Touch My Hair. ©2016. Art and Creative Direction Solange Knowles and Carlota Guerrero. Director of Photography Arthur Jafa & Alan Ferguson
when in doubt ask steve segal
Steve Segal has been an influence on my practice since meeting him here at CCA on a Saturday in the summer of 2015. I asked myself what professor teaches on Saturday's and why. The answer I discovered for myself was, because he cares about animation and is a steward of the medium. At the request of GE, Segal sat in on the final day of our pre-production semester and gave notes on how the storyboards where reading, turns out this was the best thing to happen all semester. To cut to the chase "It was bad, confusing, not good..." Honesty, is what Segal gave me and I proceeded to figure out ways to take his notes and run them by other mentors.
I value Segal opinion because of the vast animation history that he continues to build and share his students. He's actually passing the torch to the next generation and challenging the quality and entertainment value of what's being put forth. Always a friend.
music composition consultation
Ben came to mind as soon as I found the soundscape I thought this film should have. We worked back and forth on the sound design for eight weeks via FaceTime, texts, and phone calls. His understanding of the 1980's feel I needed helped to motivate the crew while the worked and listened. Even though I decided only to use his score as a template while revising the animatic, I feel that his contributions to the show allowed us to forge a working relationship that will continue on the next project. Please check out his website and amazing IG page. Ben's 10 track score will be a bonus to all who pledge $300 or more.
After the third animatic was complete with revisions Harry came onto the project to expand the soundscape, in order to flourish out period elements that would best suit the tone of the show. I was looking for something straight lined and little ornamentation; than what is currently in trend, and Selick delivered. All this was possible thanks in part to the Sunday Morning Walking Mom's Club and GE.
sp17 crew members
Andrew Lyndon given me the ROZ "Always Watching"glance in A2. SP2017©
Well this had to be the most time consume, challenging but vital part of the process. Thank the heavens that I had the talented editor Tagawa to work with during the process of working, reworking, reworking, reworking, and working.